Our Music
“The ensemble was superb in every way…a ‘diamond among rare gems’ in your community and state.”
Z. Randall Stroope | composer, conductor
“Divine Spark” (2024)
Excerpt from a live performance on October 20, 2024
David Mann, conductor
Neil Weston, organist
Devin Mercer, tenor
“Chariot Jubilee”
R. Nathaniel Dett (1882-1943) was one of the most prolific educators, composers, and conductors of the twentieth century. He served as the first black director of the music at the Hampton Institute in Virginia. Dett’s Chariot Jubilee is a fifteen-minute cantata incorporating the spiritual, “Swing Low, Sweet Chariot” for orchestra, choir, and tenor soloist.
“Gloria”
Similar to Le Quattro Stagioni [The Four Seasons], in Gloria, Vivaldi reveals a compositional style that exhibits virtuosic violin writing as well as striking changes in mood and color. As the work approaches its triumphant conclusion in the Cum Sancto Spiritu, Vivaldi borrows note-for-note from Giovanni Ruggieri, another maestro di cappella in Venice. Vivaldi manages to put his own spin on Ruggieri’s choral writing through an original orchestration that adds to another layer of angelic brilliance to the finale of Gloria.
Excerpt from a live performance on December 6, 2024
David Mann, conductor
Neil Weston, organist
Tatiana Giesler, trumpet
Michael Helgerman, oboe
Adam Murphy, violin
Zoe Kushubar, violin
Robert Salzberg, viola
Anna Kobylski, violoncello
Mark Stephenson, double bass
“Credo”
Margaret Bonds completed the piano-vocal version of Credo in 1965 and premiered this version in Washington D.C. at Georgetown University in 1967. In Credo, Bonds masterfully sets a challenging prose text with a richness in harmony and forceful declamation that incorporates idioms of black folk music alongside classical forms. Bonds’ stunning use of harsh dissonances juxtaposed against jazz-inspired melodies help to embody the vision of racial justice and hope found within W.E.B. Du Bois’ 1904 civil rights manifesto.
Excerpt from a live performance on October 15, 2023
Ellen Broetzmann, soprano
Purev Arslan, baritone
Neil Weston, keyboard artist
David Mann, conductor
“I, Too”
This piece entitled, I, too features Langston Hughes' poem highlighting issues of prejudice and representation in American society. The composer, Undine Smith Moore, was a native of Virginia and a prolific 20th-century composer and educator. In reference to her experience growing up in rural Virginia, Moore commented that “One of the most evil effects of racism in my time was the limits it placed upon the aspirations of blacks, so that though I have been creating music all my life...I would not have thought of calling myself a composer or aspiring to be one.” This choral piece features Moore’s typically brilliant and stirring harmonies with Hughes’ defiant but hopeful poetry: "I, too, sing America!"
Excerpt from a live performance on October 15, 2023
Neil Weston, keyboard artist
David Mann, conductor
“The Coolin”
Voce celebrates PRIDE with our recording of Reincarnations No. 3 The Coolin by LGBTQ+ composer, Samuel Barber. This work depicts a romantic love deeper than words can express.
Samuel Barber was a 20th century American composer, perhaps best known for his Adagio for Strings who lived in New York with his partner of 40 years Gian Carlo Menotti. Menotti was also a prolific composer and the librettist for two of Barber’s three operas.
Excerpt from a live performance on April 7, 2024
David Mann, conductor
“The Unexpected Early Hour”
In this movement, Indian-American composer, Reena Esmail, cleverly melds the patterns of a Hindustani scale (Raag Ahir Bhairav) with a stirring text about the Winter Solstice!
Excerpt from a live performance on December 6, 2024
David Mann, conductor
Excerpt from a live performance on October 15, 2023
David Mann, conductor
“Bring Me All Your Dreams”
Bring Me All Your Dreams is Christopher Harris’ choral setting “The Dream Keeper” by Langston Hughes. Listen for the stunning "blue cloud-cloth" of closely-woven harmonies as the piece builds to an emotional climax. Afterwards, the opening melody returns, highlighting the hopeful words of Hughes' poem.
“Dark Night of the Soul”
Ola Gjeilo’s Dark Night of the Soul sets the introspective words of St. John of the Cross’ sixteenth-century poem. The choir begins with an expansive tapestry of contemporary harmonies while the piano guides the full ensemble through fourteen minutes of transcendental beauty.
Excerpt from a live performance on December 17, 2022
David Mann, conductor
CJ Capen, keyboard artist
Ellen Broetzmann, soprano
Lauren Flynn, soprano
Yuan-Ju Liu, violin
Jonathan Toomer, violin
Robert Salzberg, violin
Anna Kobylski, cello
“Come to the Woods”
Enjoy this spring concert highlight entitled Come to the Woods by composer Jake Runestad. This piece sets the words of naturalist John Muir describing his childlike wonder at the sight of an approaching thunderstorm.
Excerpt from a live performance on April 1, 2023
David Mann, conductor
CJ Capen, pianist